I'd see the same photographers at many of the shows, and the guys who worked the door or house security were always there too. Some photographers treated them like dirt (they were only nice to rock stars), but I felt like we were all part of a family. So I treated them with respect and they were always good to me. Most of the time I was on the list, but sometimes there was a show I wanted to shoot and I couldn't get access from the record company. The guys at the door would just let me in. Sometimes we were only allowed to shoot the first 3 songs, but the guys doing security would let me stay in the aisle. I was nice to them. They were nice to me. Nothing more than that. They were good people. I wonder what they are doing now.
The Clash onstage at the Palladium Theater in NYC in 1979
I wrote about a Clash show earlier where the guys were so helpful when the crowd started to get out of control. This shot was from a different show, but they worked just as hard at that one. No one wanted to just sit and listen to music anymore. The mosh pit was taking over. At this show, there was a kid standing behind me, moving to the music. A little too close. A little too much movement. I think he was having just a little too much fun bumping into me. Security helped me with that one, too. That boy just needed to get back to his seat before I smacked him.